Hotter Than Hell is the second album from the rock group KISS. It was certified Gold on June 23, 1977, having sold 500,000 copies. The album was re-released in 1997 (along with most of Kiss' earlier albums) in a remastered version. The album peaked on the charts at number 100 without the benefit of a hit single.
In Their Own WordsEdit
Gene Simmons - "Wed been touring pretty nonstop from the time the first record came out, so by the time we got to L.A. to do Hotter Than Hell, we were actually right in the middle of a tour. I quite like Hotter than Hell. Id give the album three stars"
Paul Stanley - "Id give Hotter Than Hell three stars. Theres some songs I really like.We were never and rock-n-rolly or good-timey as we sounded on that album. We were much heavier live.
Peter Criss - `We were still green. We had one album and it didnt do well so we were really hoping this would do better, cause no one really took the first one to heart.It was kinda decadent and it was really wild. It was swinging 70s,. Id give the album three stars because there was alot of decadence going on.
Ace Frehley - "`Hotter than Hell was a harder album to record than our first record because we had toured so extensivly and then all of a sudden the record company wanted us to put out another album. Id give Hotter Than Hell three and a half stars`
- Quotes taken from the book:Kiss:Behind the mask
Move to Los AngelesEdit
The production team of Kenny Kerner and Richie Wise, who had produced the group's first album, was chosen for the follow up. Since the pair had relocated to Los Angeles, Kiss flew there to work with them. The band, all native New Yorkers, immediately developed a dislike for their new surroundings. Paul Stanley's guitar was stolen his first day in Los Angeles.
Musically, Hotter Than Hell is darker than the band's first album. This is partly due to the murkier production values, but also to the lyrical content of some of the songs. "Goin' Blind," which details a doomed romance with a 93-year-old and an underage girl, was a song written by Gene Simmons and Stephen Coronel during Wicked Lester's existence. The original title was "Little Lady."
Hotter Than Hell featured far more overdubs than the first album. While Kerner and Wise wanted to produce a record that captured Kiss as a live act, they decided to take advantage of the experience the band had gained as recording artists.
Although the album featured two songs penned solely by Frehley, he did not sing on either one of them. His lack of confidence in his singing abilities at the time led to lead vocal duties for "Parasite" and "Strange Ways" going to Gene Simmons and Peter Criss, respectively. Frehley's guitar solo in "Strange Ways" has been called one of his best
The album is also known for its striking cover: the front featured Japanese manga-influenced artwork, and the back cover showed individual band shots taken by Norman Seeff at a wild party, and a composite of all four band members' makeup designs. Everyone present at the session (with the exception of Simmons) was drunk for the entire photography session. Stanley was so drunk he had to be locked in his car. Paul's drunken state can easily be seen on the album's front cover as it appears Peter Criss is holding him up while Paul holds onto Peter's leg.
The Japanese character on the bottom of the album cover (力) is chikara, which means "power." It would later be used on various forms of Kiss material during the 1970s and 1980s, most prominently on Eric Carr's drum kit.
The Japanese on the top-right corner of the album cover (地獄 の さけび) is jigoku no sakebi, which means "Hell's shout" or "The shout of hell."
Ace Frehley's image on the front cover is actually airbrushed, as a side of his face was injured in a car accident and was without makeup on the afflicted area at the time of the photo shoot. Also, the Japanese characters used for Ace's name pronounces it wrong. The characters are エイス フューリ (eisu fyuuri), which would translate to "Ace Fury." The characters should have been エイス フリーリ (eisu furiiri).
A commercial disappointmentEdit
Despite the intense touring schedule Kiss maintained in 1974, Hotter Than Hell failed to outperform the band's first album. In fact, it did considerably worse. This was due partly to the fact that Casablanca Records' distribution deal with Warner Bros. Records had ended. The publicity push behind the album was not nearly what it was for Kiss (album). One notable exception was a television commercial aired to promote the album. The only single released from the album, "Let Me Go, Rock 'n' Roll," was distributed in low numbers and failed to chart. Four months after the album was released, Kiss were pulled off tour and called back into the studio to record a follow up. Hotter Than Hell was certified Gold on June 23, 1977, when it sold 500,000 copies
The back of the album has like a conglomeration of their makeup put together a yellow face the left side had gene Simmons but it's green and the top of Paul Stanley's star and ace frehleys spaceman makeup it's blue and Peter criss cat wiskers and genes tounge
And there are 4 pictures of the band Paul on the left is making love Ace frehley is relaxing on the bottom in space Peter on the right is holding a girl And gene Simmons is breathing fire through a goblit in a Meldevil outfit
Let Me Go, Rock 'N Roll ··· (2:16) - Simmons/Stanley
Cover versions Edit
- The Smelly Tongues covered "Parasite" on Hard to Believe: Kiss Covers Compilation.
- "Parasite" was also covered by American thrash metal band Anthrax on Attack of the Killer B's album in the early 90's.
- Anthrax also covered "Watchin' You" for the 2001 remastered Stomp 442.
- "Comin' Home" has been translated into Swedish and recorded on the 2009 album Kyssar & Guld by Rolf Carlsson.
- "Strange Ways" was covered by Megadeth for the Best Buy release of their 2004 album The System Has Failed.
- Paul Stanley - Rhythm guitar, lead vocals
- Gene Simmons – Bass guitar, lead vocals
- Ace Frehley – lead guitar
- Peter Criss – drums, percussion, vocals
- Kenny Kerner – producer
- Richie Wise– producer
- Warren Dewey - engineer
- Norman Seeff - photography, art direction
- John Van Hamersveld - design, art direction
- Joseph M. Palmaccio - remastering
Casablanca/Astor NBLP-7006 (Australia, 1974)
Casablanca/Quatro CBLP-9098 (Chile, 1977)
Casablanca/Phonogram 6399-058 (Europe, 1980)
Casablanca/Vogue CBLA-71002 (France, 1975)
Casablanca/EMI-Electrola 1C 062-96 262 (Germany, 1975)
Casablanca/Bellaphon NB-7002 (Germany, 1976)
Casablanca/Phonogram 6399-058 (Germany, 1980)
Casablanca/Phonogram PIC6399-058 (Holland, 1980 - Picture Disc)
Casablanca/Phonogram CALP-5040 (Italy, 1980)
Casablanca/Victor VIP-6340 (Japan, 1976)
Casablanca/Polystar 22S-2 (Japan, 1980)
Polystar R00C-2012 (Japan, 1984)
Polystar P33C-20004 (Japan, 1987 - CD Reissue)
Mercury PHCR-3053 (Japan, 1997 - CD Remaster)
Mercury PHCR-4316 (Japan, 1997 - CD Remaster)
Mercury PHJR-20003 (Japan, 7/15/1998 - Colored Vinyl Box Set)
Universal/Mercury PHCR-94041 (Japan, 9/19/1998 - CD Remaster Reissue)
Universal/Mercury UICY-2506 (Japan, 8/21/02 - Reissue)
Universal/Mercury UICY-93091 (Japan, 7/5/06 - Limited Edition)
Universal/Mercury UICY-6638 (Japan, 3/7/06 - Reissue)
Casablanca/SEM SEL-100495 (Korea, 197?)
Casablanca/Gamma GX-01-764 (Mexico, 1975)
Casablanca/PolyGram LPR-43048 (Mexico, 1980)
Casablanca/Diffusion DRS-1008 (New Zealand, 1975)
Casablanca/PolyGram NBLP-7006 (New Zealand, 1979 "Dynasty" Reissue)
Casablanca NAL2-7005 (South Africa, 1975)
Casablanca NAL2-7005 (South Africa, 1977 "Love Gun" Reissue)
Casablanca/EMI 1E 062-96 262L (Sweden, 1975)
Casablanca/Kong Mei KM-2021 (Taiwan, 1977)
Casablanca/Pye CALH-2007 (UK, 5/77 - red, then later black vinyl)
Casablanca/Phonogram 824 147-1/4 (UK, 7/89)
Casablanca/Vertigo 824 147-2 (UK, 5/89 - CD Reissue)
Casablanca NBLP-7006 (US, 10/22/74)
Casablanca/PolyGram 824-147-1/2/4 (US Reissue, 7/85 & CD, 7/87)
Mercury 532-375-2/4 (US Remaster, 7/15/97)